Key Features & Specifications
The URSA Broadcast is the world’s most affordable and most flexible professional broadcast camera. URSA Broadcast is two cameras in one, an incredible field camera for ENG and programming work, as well as a professional studio camera! URSA Broadcast is perfect for traditional broadcasters because it uses the lenses and batteries you already own, and it also eliminates weird media cards and file formats found on traditional cameras. It records onto regular SD cards and uses the same common file formats found on broadcast media management systems and most NLE software. Plus URSA Broadcast is perfect for web broadcasters because it works with both older after market HD lenses and inexpensive photo lenses. No other broadcast camera is more flexible and more affordable!
Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount (Actual sensor size 13.056mm x 7.344mm)
B4 2/3 inch
Electronic control via 12-pin broadcast connector. Control also possible vEF mia ount pins when using optional URSA Mini Pro EF Mount.
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60p.
Built in ND Filters
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.
Focus button turns on peaking, auto focus available using compatible lenses with focus servo.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
LCD capacitive touchscreen.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 4 inch screen.
Push buttons for other controls.
2 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Total Video Inputs
1 x SDI
Total Video Outputs
1 x SDI, 1 x SDI Monitoring.
1.5G, 3G, 6G, 12G.
Analog Audio Inputs
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
Analog Audio Outputs
1 x 3.5mm headphone jack, supports iPhone microphone for talkback.
2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
USB Type-C for software updates.
SD Video Standards
HD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, Interlaced output via SDI 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
SDI Audio Sampling
48 kHz and 24 bit
2 x CFast for 4K RAW and ProRes recording. 2 x SD UHS-II card slots for HD and Ultra HD recording.
Can format cards to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
DNxHD 220X, DNxHD 145, Apple ProRes 4444 XQ QuickTime, ProRes 4444 QuickTime, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime and ProRes 422 Proxy QuickTime, CinemaDNG RAW, CinemaDNG RAW 3:1, CinemaDNG RAW 4:1.
Blackmagic SDI Control Protocol, iPad control via Bluetooth, 2 x 2.5mm LANC for lens and record control.
Talkback and Tally
SDI Channels 15/16 and iPhone headset.
Live Tally Indicator
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS-II cards
2.5 inch SSD via optional URSA Mini SSD Recorder
3840 x 2160
Apple ProRes 444 XQ - 250 MB/s Apple ProRes 444 - 165 MB/s Apple ProRes 422 HQ - 110 MB/s Apple ProRes 422 - 73.6 MB/s Apple ProRes 422 LT - 51 MB/s Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s Apple ProRes 444 - 41.25 MB/s Apple ProRes 422 HQ - 27.5 MB/s Apple ProRes 422 - 18.4 MB/s Apple ProRes 422 LT - 12.75 MB/s Apple ProRes Proxy - 5.6 MB/s
DNxHD 220X - 27.5 MB/s
DNxHD 145 -18.2 MB/s Storage rates based on 30 frames per second.
DNxHD 1920x1080 and 1920x1080i with either film, video or extended video dynamic range. Apple ProRes 3840x2160 and 1920x1080 with either film, video or extended video dynamic range. Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 3840x2160.
1 x External 12V power supply.
External Power Input
1 x 4-pin XLR port for external power or battery use.
1 x 12-pin Molex connector on rear battery plate.
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
We are happy to hire, demonstrate or sell these units. Please call or email for current purchase prices. Our hire rates are shown above, or see here for more options.